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My eldest sister told me about her issues with the book. My elder sister, she stopped talking to me altogether for some time. About SB — well they never mentioned it. My eldest sister once mentioned it, laughing, later – “aur tu ek to ajeeb ajeeb cheezein kar hi chukka hai, wo kya bhabhi waigarah…” and then she laughed.
And then I went out, feeling super, like an invisible 26th January parade was on. Immediately afterwards I bumped into my buddy Adhiraj Singh and the staff of what was then Random magazine (today Comic Con India). How I showed it off. Badi santushti mili. As someone who draws — I liked the illustrations. They were nicely drawn and coloured. I have never been a perfect anatomy, third angle to the fifth perspective aur pata nahi kya guy. I just draw, theek deekhey to badhiya. So I was happy.
In 2011, I finished my first graphic novel, The Itch You Can’t Scratch, and on a whim, the publisher and I decided to write on the back a blurb — “After writing for Savita Bhabhi…” This small, impulsive act taught me about sensationalism, journalism, ethics, PR agents everything.
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Then I got on the Savita Bhabhi forum. This was before you could stream porn online, or at least before I could. Forums were a great place to find good porn. By good porn I mean, you know, the porn that works for you at that moment in time. I find the stories in porn films to be exceptional. Full-length porn, you know the old porn movies, their stories border on the absurd. But between the absurdity and the bad acting it somehow creates something that is actually not bad — something unusual. Recent porn films, which want to be tasteful and HD and stuff no longer have that funny-ness. It is difficult to explain. I think it’s because you get the feeling that the new films take themselves very seriously and the old ones didn’t.
I do not want to talk about how the character liberates women etc. In my head they don’t need anyone or any character to liberate them. They are liberated, they liberate themselves. It’s an individual who does things. If serendipitous thing like an encounter with a fictional character helps it, then great. I think dissection is just useless debate, which wastes essential time which we can use to take action, useful small acts that begin change. Not bakar bakar wherever that is just lines of text. Lorem ipsum. Lo mujhse bhi likhwa liya duniya ne paragraph. Zeher kahan hai?
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I really don’t know what prompted this, but I just didn’t understand why people won’t want their name on something so cool. Or they didn’t think it was cool? Or they were not Indians? Or maybe they were and they knew their chacha reads it? Pata nahi.
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Since my book got wide coverage and the first article about my book called me the creator of the character Savita Bhabhi, Deshmukh got pissed . I wrote to the reporter but she didn’t correct it.
But I asked him to give me credit by name — as in mention my name on the cover. He asked me again — usually everyone got pseudonymous dude credits like, FunkY!@bb. I didn’t understand why they did that, maybe shame.
After everything, I still feel Savita Bhabhi was a powerful character. Obviously she’s hot like hell— what draws me to her is the whole desipana in an area where Indians might be sending top traffic to adult websites, but we still don’t create adult content. Also, her character invokes the teenage boy in me who used to drool at beautiful older buxom women. I have nothing to say in dissection of the character. There’s nothing to learn man, it’s just the whole naughtypana of it. That’s it. Why do we have to dissect everything? Roti khaa ke so jao yaar.
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In this one too, Deshmukh edited the storyline and wrote the porn himself. I did write the porn but he told me that “lovemaking isn’t alternate oohs and aahs” which I think is quite true. And I loved my absurd plots more than writing the erotic parts. I have always been in a hurry, and hurry is bad for lovemaking.
One of my mamajis gave me a golden lecture on doing ‘these bad things’ and how he never thought I was ‘that kind of boy’, I seemed so ‘normal’. And I had made ‘these shameful things public’ and I had to succeed a lot in life to wash these sins off or pata nahi kya kya.
Just three. I wasn’t even able to write the porn parts. I am clarifying this not out of fear of the law, but out of respect for the creators.
Few weeks later, I suggested another idea and Deshmukh responded. This time I was full on exploring my ‘krativity’ — Savita won’t be at the house, she would be at her maayka. Her husband Ashok would be at home, alone. He would be visited by the cablewallah, doodhwallah etc etc and none will take money from him. In their flashback would be their sequences with SB. The story would end with Ashok congratulating SB on her good management of the home.
It started in 2009 when Savita Bhabhi had just begun. I was a fresh computer science graduate, who was freelancing for a magazine. My friend and I were working on our design start-up. And I had just started work on my first graphic novel, which was to be a serious Pakistan-India dhishkyaun dhishkyaun shahkar.
